Shell / Pennzoil Commercial Photography & BTS Video
Commercial photography for Shell Pennzoil ad creative, produced on set alongside TA Films. Style Driven was brought in specifically to raise the quality of the stills component on a video-heavy production. Two distinct sets, agency-level attention to detail, and assets built for a full 360 campaign.
What they needed
Shell Pennzoil's metrics showed still images with strong design were outperforming video on social. We were tapped to bring that standard to the stills, alongside the video production already in motion.
What we did
How we got there
It came through a working relationship: the production team's head of production goes back with our lead photographer, so we get brought into their shoots. This was one of many.
- 01Pre-production
Two sets, two assistant directors
We planned it hand in hand with TA Films around what they needed: one assistant director for photo, one for video, and pre-production calls so we brought the right gear and knew exactly what we were making.
- 02The hard part
A short window, a lot of drivers
A small time slot, many drivers, many setups. We bring a crew that has worked a lot of setups like this, and on a photo set this big, an assistant director keeps every driver and setup on schedule.
What it did
Shot for the 2026 season, NASCAR and IndyCar, for use across Shell Pennzoil's digital and print. The client called the process both fun and productive.
Book
the call,
Fifteen minutes on a call, or a note in the inbox. Either way a person reads it and gets back to you.